quarta-feira, 11 de outubro de 2017

Constância, continuidade

There were 2000 in the theatre and about 10,000 outside who couldn’t get in; all girls. And all they did was scream all the way through the entire 35 minute set. I never heard anything The Beatles said or sang. When you’ve got 2000 girls screaming, and one takes a breath, there are always others screaming. So there is no stop. It is a complete, continuous jet engine.
Jim Berkenstadt, The Beatle Who Vanished.

segunda-feira, 9 de outubro de 2017

Os Beatles vieram à varanda ver como estava o tempo

Out on the balcony, the sound of 300,000 people was deafening, like a jet engine on steroids.
Jim Berkenstadt, The Beatle Who Vanished.

domingo, 8 de outubro de 2017

Domingo no mundo (29)

Henri Matisse, Harmonie en jaune, 1928.

sexta-feira, 6 de outubro de 2017

Que farei quando tudo reverbera?

Some of the venues on tour were not built for Rock and Roll music. Many had long flat hard walls in the back. When Nicol and other drummers hit their bass drums, the sound would echo back to the stage on a delay of one or two seconds at the same volume. This aggravation, along with preconcert drinking and marijuana smoking, generally made things difficult to keep time.
Jim Berkenstadt, The Beatle Who Vanished.

A arte perdida de molhar o pão (os tontos chamam-lhe javardice)

Janet Delaney, NYC, 1985.

quinta-feira, 5 de outubro de 2017

Done

"You androids," Rick said, don't exactly cover for each other in times of stress."
Garland snapped, "I think you're right; it would seem we lack a specific talent you humans possess. I believe it's called empathy."
Philip K. Dick, Do androids dream of electric sheep?

quarta-feira, 4 de outubro de 2017

Até Quinta

The rubbish-littered, lifeless roof of his apartment building as always depressed him. Passing from his car to the elevator door he damped down his peripheral vision; he concentrated on the valuable bag and bottle which he carried, making certain that he tripped over no trash and took no ignominious pratfall to economic doom. When the elevator creakily arrived he rode it - not to his own floor - but to the lower level on which the new tenant, Pris Stratton, now lived. Presently he stood in front of her door, rapping with the edge of the wine bottle, his heart going to pieces inside his chest.  
Philip K. Dick, Do androids dream of electric sheep?

terça-feira, 3 de outubro de 2017

Bruce Chatwin

He was known for being particular about his outfits: his emerald jacket, his khaki safari shirt and shorts, his soft, toffee-coloured boots, and for the haversack in dark brown calfskin custom made by a saddler in Cirencester with each pocket carefully devised to house a particular item. He was famous for his sudden disappearances, his unexpected arrivals and for the whirling discourses that magnetised his audiences but which no one could quite summarise.

Luz pela barba

John White Alexander: Walt Whitman, 1889.

Até Quinta

After a hurried breakfast – he had lost time due to the discussion with his wife – he ascended clad for venturing out, including his Ajax model Mountibank Lead Codpiece, to the covered roof pasture whereon his electric sheep "grazed". Whereon it, sophisticated piece of hardware that it was, chomped away in stimulated contentment, bamboozling the other tenants of the building.
Philip K. Dick, Do androids dream of electric sheep?

segunda-feira, 2 de outubro de 2017

More fragile and vulnerable than we generally assume

Although it is not always possible to delineate statistical changes in levels of violence, it is, as changing reactions to wife-beating suggest, possible to trace shifting attitudes. Indeed, the development of deeper sensibilities about violence can lead to increases in quantitative evidence of violence – modern statistics on domestic violence, and the long-term rise of prosecutions for sexual assault over the 20th century are probably evidence of this. Nevertheless, many forms of violence that were commonplace in the past are no longer tolerated.

Corporal punishment in state schools in the United Kingdom was abolished in 1986, and in private schools in England and Wales in 1998. Bullying, once regarded as a normal hazard of growing up, or even as a character-forming experience, is now widely condemned, both in school and at the workplace. And although the precise relationship remains elusive, the decline in interpersonal violence between the mid-18th and mid-19th centuries coincided with the retreat from inflicting public executions, public whippings and public shaming punishments on convicted criminals. Changes in official attitudes are further demonstrated by how the police and the law courts, albeit imperfectly in some instances, are now much more alert to the reality of domestic violence and to the need for the sympathetic and sensitive treatment of rape victims. The everyday recourse to violence that was apparently so widespread even two centuries ago is now seen, rightly or wrongly, as the prerogative of discrete, and normally lower-class, groups: boys in disadvantaged council estates, teenage gangs, football hooligans, professional criminals, working-class ‘hard men’.

This should not give us cause for complacency: as events in Germany in the 1930s, parts of Africa and the Middle East more recently, and the plots of countless post-apocalypse movies remind us, the essentially secure and violence-free civil society that most of us in the West take for granted is more fragile and vulnerable than we generally assume. And as statistics on domestic violence demonstrate, we still have a way to go. But an awareness of the ‘violence we have lost’ is an important element in that process, central to the general public’s view of history, of ‘understanding ourselves in time’. So many of the issues that we confront when considering violence in modern society – media distortion and amplification, problems of definition, problems of the cultural acceptance of violence, the connection between violence and masculinity – have a historical dimension, and getting to grips with that dimension helps to deepen our understanding of our current situation. Even terrorism, so often identified as a new problem, has been with us in something like its modern form since the Fenian bombings of the early 1880s.
Mais aqui.

domingo, 1 de outubro de 2017

Domingo no mundo (28)

John William Waterhouse, St. Cecilia, 1895.