In 2014, years after he moved from South Africa to Australia, the novelist J.M. Coetzee finally sold his own apartment in Cape Town. Soon after a researcher went through a cardboard box left behind in the vacated flat — and inside, to his astonishment, he discovered a welter of remarkable unpublished materials by the taciturn Nobel laureate. But they were not manuscripts. They were photographs: sheafs of yellowing prints that depicted “scenes from provincial life,” as his three volumes of autobiography are subtitled, as well as undeveloped negatives.
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